The Frankie pendant combines solid timber and felt to create a tactile and refined lighting system from a few simple components.
Ideal for both commercial and domestic applications this stylish and effective pendant can extend lengthways to provide lighting perfect for longer tables, bars and hallways.
American ash timber, recycled PET panel, braided cable.
Re-Ply works with … broken-down boxes that would otherwise be tossed in a garbage heap.
Bloomin’ Rubbish is a project created by artists Deirdre Nelson* and Frances Priest in association with Covepark artists in schools residency programme in Scotland. They have been working with Parklands Primary School In Helensburgh, Scotland, to make an interactive garden of recycled blooms. Bottletops and plastic lids have been collected all over Scotland in contribution to the Bloomin’ Rubbish garden.
The Garden continues to grow in Helensburgh, Scotland, but also in Kampala, Uganda, as Frances from the Bloomin’ Rubbish team is currently in Uganda with 32º East | Ugandan Arts Trust.
You can follow news of Bloomin’ Rubbish (and see lots more pictures) on Facebook HERE.
* Deirdre is also, of course, a regular contributor here at Unconsumption! Congrats, Deirdre, on an amazing project!
What is the Great Recovery?The current economic and environmental challenges of take, make, dispose manufacturing are becoming apparent. Increasing supply risk and rising costs of materials is putting pressure on businesses to change. We need to shift towards more circular systems and good design thinking is pivotal to this transition.The Great Recovery is building new networks to explore the issues, investigate innovation gaps and incubate new partnerships.
Read more: The Great Recovery - Redesigning the future
Marble Clothing This comfy-looking sweatshirt is actually carved from marble by artist Alex Seton.
Each year, during the La Scala Flower Festival, about 2,000 potted plants and flowers of different shades and colors are arranged on the historic Staircase of Santa Maria del Monte to create one grand design.
Giving Up Is Not An Option
Steel, laquer, ladder, brush, paint bucket / 800 x 210 cm / Ole Ukena, 2012
The viewer who enters the exhibition place gets confronted at first sight with a situation in which the artist is about to finish setting up the artwork. A ladder, nails and paint are still on the floor seemingly waiting to be used. At second sight the sentence Giving up is not an option is surely to be read ironically.
The artist gave up installing a piece named Giving up is not an option and the work is finished exactly by not being finished.